Publication

I. Book:

Operatic China: Staging Chinese Identity Across the Pacific (Palgrave Macmillan, 2006).

II. Journal Articles, Book Chapters and Performance Reviews:

“變臉與變性：京劇在國際舞台上的呈現” (Face and gender metamorphosis:  Beijing opera on the world stage).  文藝研究 (Arts and Literature Studies, no. 9, 2007), 107-113.

"Lai Sheng-ch'uan." The Columbia Encyclopedia of Modern Drama. 2 vols. Eds. by Gabrielle H. Cody and Evert Sprinchorn. New York: Columbia University Press, 2007, 795-796.

"Liu Ching-min." The Columbia Encyclopedia of Modern Drama. 2 vols. Eds. by Gabrielle H. Cody and Evert Sprinchorn. New York: Columbia University Press, 2007, 827-828.

“A Transparent Mask:  ‘Chinese Opera’ on the Asian American Stage” (透明面具：美國亞裔舞台上的【中國歌劇】).  Asia-Pacific Arts Forum International Symposium Proceedings, eds. Lin Hui-Cheng et al. Taipei:  Taipei National University of the Arts, 2006, 519-538.  Article in both English and Chinese.

“Peony Pavilion” (the Southern California tour 2006).  Editor’s Choice.  Association for Asian Performance Newsletter.  Fall, 2006.

"The Virtual Chinatown and New Racial Formation: Performance of Cantonese Opera in the Bay Area."  Critical Theory and Performance, Revised and Enlarged Edition, eds. Janelle G. Reinelt and Joseph R. Roach (Ann Arbor: University of Michigan Press, 2006).

“一場未排好的戲：中美戲劇在十九世紀加州的第一次接觸” (An ill-rehearsed play: the first Sino-American encounter on the nineteenth-century Californian stage).  香港戲曲的現狀與前瞻 (The present and future of Chinese opera in Hong Kong), eds. Li Shaoen et al.  (Hong Kong: Chinese University of Hong Kong, 2005), 31-44.

“Staging the Binary: Asian American Theatre in the Late Twentieth Century." Blackwell Companion to Twentieth-Century American Drama, ed. David Krasner (Oxford, UK; Malden, MA: Blackwell Publishers, 2004), 301-317.

“The Production and Consumption of Chinese Theatre in Nineteenth-Century California.” Theatre Research International (Vol 28, No 3, October 2003), 289-302.

“Can You Hear Me? Female Voice and Cantonese Opera in the San Francisco Bay Area.” The Scholar & Feminist Online (Barnard Center for Research on Women, read online)

“Envisioning New Borders for the Old China in Late Qing Fiction and Local Drama.” Political Frontiers, Ethnic Boundaries, and Human Geographies in Chinese History, eds. Nicola Di Cosmo and Don Wyatt (RoutledgeCurzon, an imprint of the Taylor and Francis Group, 2003), 373-397.

"Biography of Sung J. Rno." Asian American Playwrights: A Bio-Bibliographical Critical Sourcebook, ed. Miles X. Liu (Westport, CT: Greenwood Press, 2002), 292-297.

“Wang Zhaojun on the Border: Gender and Intercultural Conflict in Premodern Chinese Drama.” Asian Theatre Journal 13, no. 2 (Fall 1996), 229-237.

III. Dissertation

“Performing the Borders: Gender and Intercultural Conflicts in Premodern Chinese Drama (Ph.D. Dissertation. Tufts University, 1999).

Find out more about Daphne:

:: Biography
:: Publication
:: Current Research Projects
:: Talks and Conference Papers
:: Courses
:: Honors and Awards
:: Multicultural Spring